Sketchbook Tour and Painting Rye

Yesterday I was out at Rye Beach getting ready to paint and I came to the realization that I’ve spent almost every morning this summer outside. I painted a decent amount last summer, but I feel that being closer to the seacoast has encouraged me to plein air paint more. I also focused more on writing last summer, so I spent most mornings at my computer.

My summer break is now halfway through and I feel like I’ve accomplished a good amount, so I’m hoping to keep the pace for the rest of the summer.

Last Tuesday I went with the NHAA plein air painting group to Rye Harbor State Park. When I left our apartment it was sunny and warm, but the ground was wet from some overnight storms. As I got closer to the coast a heavy fog set in and it was hard to see more than 100 yards away.

I was excited to set up and paint the boats in the marina next to the park, but I didn’t want to fight the fog, so I chose a different view.

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You can see how foggy it was in this first photo. The tide was out and forming large pools in the rocks and I was attracted to the variety of grays.

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Around the time I wrapped up, the sun was sneaking through the clouds and changing the lighting. I spent only 2 hours on the painting and called it quits. Though after I’d packed and went around to look at the other artists’ work, the fog settled back down and the sun disappeared. I suppose I could’ve kept working.

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This was a leftover 8×10″ panel, so a little smaller than the 9×12″s I’ve been working with lately. I’m gonna have to look up more paintings of shorelines, waves, and rocks. I need to see how other artists have tackled those subjects.

In between plein air paintings, I’ve been drawing in my sketchbooks. I’m slowly getting better at using watercolors.

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One afternoon I sat down and drew my cup of tea. This was a break through illustration. I finally figured out how to tackle the combination of ink and watercolors.

A couple days after my birthday I traveled down to Boston for the day for a free entry promotion at the Isabella Stewart Gardner museum. On my way in I stopped in Harvard and sketched Memorial Hall.

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I think limiting the size of my sketches has helped me develop an understanding of watercolors. I can fill in the entire drawing quickly and practice mixing colors and see how they interact on the page.

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At the Isabella Stewart Gardner I sketched the courtyard. Since it was free entry, it was incredibly busy, but I was able to find a bench to hangout on as I drew. You can see this sketch and all the others from my first two sketchbooks in my first sketchbook tour video.

I’m now on my third sketchbook and I’ve already finished a few drawings in it.

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Above I sat with Sarah in Portsmouth and did a sketch of her. It came out nicely and I’m excited to fill this next sketchbook up and show it off.

This Tuesday I went out again with the plein air group. The meeting point was Odiorne Point boat launch, but I’ve already painted there this summer so I decided to go down the road a bit to a spot I’d seen the day before.

Near Rye Beach is a tidal inlet that snakes past some houses and tall patches of grass. The composition is ready made.

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I wanted to include the water, the houses, and the boat, so I had to really pull my perspective out and draw things smaller than I was seeing them. Painting on a 9×12″ board forces decision making.

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It wound up being a two day painting. I reworked the water twice on the first day and then twice again the next. I’m still not entirely satisfied with it. If I had backed the perspective up even more I would’ve been able to include some darker parts of the river and I think that would’ve helped make the water convincing. As I’ve painted water this summer, I’ve discovered that the reflections are often much darker than I originally expected. I’ll have to keep that in mind for the next ocean painting.

My paintings this summer have felt very cohesive in their colors, but I’m afraid they’re becoming a bit stagnant and my paintings are appearing more illustrative than realistic. They’re much more saturated than paintings I’ve done in the past. For my next couple of paintings I’m gonna mix up the colors I use. I’m really still painting with the palette that was prescribed to all students in my UNH art classes. I think it’s time to branch out.

While I was working on this painting, several of the people that live in the houses came out and talked to me. One nice couple later invited me inside to show me other paintings they had of the same perspective. One was a winter scene and the other a summer scene and it was interesting to see how the shoreline has changed throughout the years. Apparently there used to be an old barge that was parked against the left hand shore. It’s now gone and nothing remains to indicate it had ever been there.

 

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