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Forty and Lightbulb Sketches

Yesterday I dropped a couple paintings off at the New Hampshire Art Association for next weekend’s The Art of the Landscape show. While I was there I picked up a prospectus for next month’s 16th Annual Joan L. Dunfey Open Juried Exhibition. I’ll probably submit my most recently finished painting and the one I just started today.

Here are a few sketches from the development process:

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I wanted to see how the lightbulbs and the forty ounce would work together. After a trial and error period of arrangement I finally decided on a setup that clicked.

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With graphite and charcoal I sketched out the still life. I think this process will greatly help my painting. I learned a few things about the way lightbulbs are shaped. Now time to paint.

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Portrait in Black and White

Had to get in one more portrait before the weekend. We’re going to be hiking Mount Monadnock and going to a birthday party, so there won’t be a lot of time to paint.

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Grabbed another reference from RedditGetsDrawn and drew out a 4″ x 4″ sketch.

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I’ve been putting in the backgrounds first to establish darks to work from. As I work I move back and forth between the background and the figure.

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Though the photo is in black and white, I did not stick strictly to a tonal painting. I brought in a few warms, though by the end I was using mostly cool colors.

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I’m in definite need of an actual black. It’s amazing how light the darks get when they dry. Thankfully I’m going back to my parents’ house this weekend and my mom has a tube of black she’s going to let me have.

The perspective on this drawing was surprisingly difficult. I kept having to address the height of the subject’s forehead. I had it too foreshortened at the beginning. My hands and neck are starting to cramp from working so small. Time to work bigger.

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No Page Wasted

After doing my last self-portrait with the new markers, I noticed that I’d been a little careless and let the ink bleed through to the next page. Usually I avoid this by popping in a piece of scrap paper behind the drawing I’m working on. I thought about skipping to the next page so I would have a clean sheet, but then I realized the blotches didn’t really matter. They would probably get covered up anyway. And so I drew right over them. I guess I’m mentioning this because it’s important to work through mistakes and see situations like this one as opportunities. It made me think a little more about composition and how I could include the blotches so they would be less noticeable. Be adaptable.

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You can see a bit of the bleed-through next to my chin, though the rest of it is pretty unnoticeable. I’m starting to get a better idea of how to use the markers. They’re forcing me to think in strictly dark and light, which will helpĀ better my oil work as well. But because I spend the majority of the time sketching and working out the base drawing, I spend little time actually using the markers. It will be a while before they feel completely natural. They feel good so far though.

I’m a little behind on achieving a drawing a day. Been so busy. I’m not worried though. The goal was to get 365 drawings done in 365 days. Perhaps I’ll wind up with a day where I can crunch in a bunch. For now I’m focusing on two or three a week.