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The Muted Tones of Cupcakes

The cupcake in today’s painting lasted over a month in my still life set-up. Yeah, that’s a little gross to think about. But it was great for my art. I first painted it in gouache for Tilted Cupcake and noticed it was still holding up, so I put it together with a coffee mug. I wanted to focus on the purples and pinks while keeping everything fairly muted.

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I started with a blue-gray background and tried to keep the colors tonally similar to that starting gray. From there I was able to deviate into darks and lights.

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I spent a good amount of time rendering the cupcake and its frosting swirls. It became the basis for my lights. Nothing could be brighter than it.

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Muted Cupcake

8″ x 8″

With the cupcake started I could branch out tonally and with color. My goal was variety from that point on. I introduced complementary colors into the shadows. You’ll notice that the perspective is also from my other still-life set-ups and that was because this was my last one before I moved. I wanted to try something new before I had to put together a new studio space.

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Week Old Cupcake

We had a friend over for food about a week ago and she left a cupcake for me, but I wound up not eating it. I forgot about it, honestly. Before bed that night I told myself to take it in the morning to work and then four days later I realized it was still on the counter and the icing was hard and the cake was starting to sag to one side. While I’d lost a chance to eat it, I’d gained an opportunity to paint.

Gouache Cupcake

Tilted Cupcake, 8″ x 5,” Gouache

I started sketching the dessert at the kitchen table this morning. The sun eventually moved and I was forced out onto our porch to chase my light. I set up at an old painting table surrounded by freshly potted plants. Still the sun was moving fast and I had to constantly push the cupcake back into the moving light. After a couple hours I wound up with the above sketch.

I’ve been having trouble retaining the lights in my gouache paintings. With that in mind, I purposefully started working in the midtones and shadows without touching the lit side of the cupcake. I follow Benjamin Bjorklund on Facebook and he’s posted a lot of interesting watercolor paintings lately, so I tried to keep his technique in mind as I worked. Not to say I was as successful as him, but I turned out a pretty decent sketch I think. Still not entirely comfortable with gouache. Nothing seems to beat the opacity oils can give me in the lights. Which reminds me that I need to return to that oil painting I let sit a couple months ago…