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Tulips and Portrait

Last weekend I was transitioning from April vacation into the last work-heavy week of my internship. I needed a breather. An unbelievable amount of my free time had already been spent doing projects. Though I suppose since the work needed to be done, it really wasn’t my free time to begin with. Anyway, I took the weekend to do a little gouache painting.

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Self-Portrait in Gouache, 8″x 5,” Gouache

On the 30th we were waiting to go for some beer tastings and I decided to paint a self-portrait. The end result came out pretty decent. Even though gouache is opaque compared to regular watercolors, it still does not have the ability to reclaim lights and highlights as well as oils. Therefore, I always struggle going too dark too early. Here I used the white liberally to dig into the tan tones and pull out some light. Despite those struggles, I think the portrait came out well. The forehead needs to be a little warmer, but it was only a 90 minute sketch.

The next day we went to a tulip farm down in Rhode Island.

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Wicked Tulips, 8″x 5,” Gouache

It was beautiful but gray that day. I set up on the far end of the pick-your-own field and painted the farm buildings and the flowers together. I only had forty-five minutes or so to work and I’d love to go back and paint with oils for several hours on a sunny day. The sketch was fun though and I like the contrast between the bold, saturated colors in the foreground and the grays and browns of the background.

Got all my internship work finished, so I should be able to turn my attention back to art again! Just gotta apply for some jobs first!

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No Page Wasted

After doing my last self-portrait with the new markers, I noticed that I’d been a little careless and let the ink bleed through to the next page. Usually I avoid this by popping in a piece of scrap paper behind the drawing I’m working on. I thought about skipping to the next page so I would have a clean sheet, but then I realized the blotches didn’t really matter. They would probably get covered up anyway. And so I drew right over them. I guess I’m mentioning this because it’s important to work through mistakes and see situations like this one as opportunities. It made me think a little more about composition and how I could include the blotches so they would be less noticeable. Be adaptable.

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You can see a bit of the bleed-through next to my chin, though the rest of it is pretty unnoticeable. I’m starting to get a better idea of how to use the markers. They’re forcing me to think in strictly dark and light, which will helpĀ better my oil work as well. But because I spend the majority of the time sketching and working out the base drawing, I spend little time actually using the markers. It will be a while before they feel completely natural. They feel good so far though.

I’m a little behind on achieving a drawing a day. Been so busy. I’m not worried though. The goal was to get 365 drawings done in 365 days. Perhaps I’ll wind up with a day where I can crunch in a bunch. For now I’m focusing on two or three a week.