Summer is in full swing and that means a few things:
1. No kids. No teaching. So no need to shave, right?
2. Beach time.
3. Writing time.
4. Painting time.
5. Blogging time.
I’ve been dedicating most of my time this summer towards writing. In the fall I’m attending University of New Orleans’ online MFA Creative Writing program. Since I’ll be teaching at the same time, I want to make sure I have enough material prepared. I’ve been able to squeeze in art time as well, but it’s been mostly dedicated to filling out my sketchbook. It’s almost done, so a video tour will be coming out soon.
Last time I posted it was winter. And I still have two winter paintings to share before we get to the summer works.
After hiking Mount Lafayette, I hike Mount Cabot with my friend Mike. Cabot is the most northern 4,000 footer in NH. Here’s a picture of me at the top:
I’m sporting the hat I bought in Peru last summer. It’s perfect for winter hiking because it lets out just enough heat to prevent me from getting too sweaty.
The trees were absolutely covered in snow and frost when we were there and it was inspirational. I wanted to try my hand at painting the range of whites and regretted not even having a sketchbook. I took some photos and decided I would work on something at home.
The view above was what I settled on. I told myself to not get lost in the complexity and then did a sketch to work out the values and focus.
I only worked for a couple hours on the sketch and then put it aside with the intention of returning to it. I never did. Looking at it now, I’m actually very pleased with the result. I think it reads well, though it does look a little too illustrative, like it’s a still from How the Grinch Stole Christmas.
The reason I never returned to the sketch was because I moved on to doing a painting of my friend Dave at the top of Lafayette.
The block in was fun and I tried to maintain the looseness throughout the entire piece. My biggest struggle was separating the foreground from the background.
I spent too much time working on the jacket. It was fun to mix the oranges. In this second stage I adjusted his head and tried to make the foreground more cohesive.
I’m happy with the final. I’m not the happiest with the photo, but I’m really limited with studio space at our current place. It is what it is. Let’s get to the summer.
Sarah and I spent the summer up at her parents’ place in Kennebunk. On the Fourth of July we went down to Mother’s Beach and spent a few hours in the sun. I forgot my umbrella so I slathered up in sunscreen and perched myself on the rocks to get a good view.
Because of the direct sun, I wasn’t able to judge the color perfectly. That’s why I have an umbrella usually. Yes, it helps keep the sun off me too, but mostly it helps me judge what the painting would look like indoors. That said, my colors came out a little too earthy, meaty, and dark.
By the end of the session, the tide had retreated quite a bit. This was a drastic change from the start when I had the water lapping at my toes.
Fortunately, we stayed up in Maine for a few days. The next day we went back to the beach and I set up shop once again.
My goal for the second session was to add a little more vibrancy through saturation. I tried to avoid including too much white in my mixtures. Still, I was working without an umbrella. I fiddled with waves for most of the time, not sure how to properly convey them. Several times I just stood and watched the waves and made mental notes. I still don’t think I got them right. Water continues to give my the most trouble in plein air paintings.
I did have fun with the figures. I kept them to simple and quick brushstrokes. Sarah makes an appearance twice. She’s floating with her cousin in the tubes on the left and then she’s seated next to the wall on the right.
I also managed to get in some sketches over the weekend. I’ll save those for the video, but for a sneak peek, here’s a look at the sketch I did last week at the RISD Museum in Providence, RI.
That pencil sketch took me about fifteen minutes. I was with my parents, so I did not want to hog all the time doing drawings. After the museum, we walked around Brown and Providence and I bought a bunch of 4×4″ and 5×5″ panels at the RISD store. This morning I got a chance to try them out.
After a little exploring on Google Maps, I decided I would go visit the Wentworth-Coolidge Mansion in Portsmouth. It is the historic home of colonial governor Benning Wentworth and was built by combining several buildings together. This is why it has such a varied and unique appearance. I love the angles. And though I went expecting to paint the water and islands around it, I quickly decided it was the more interesting subject matter.
I walked around for a few minutes, concerned I was going to be thrown off the property. The signs said the grounds were open, but I was the only visitor at 10 am.
I realized I would have to stand in direct sunlight in order to get a good perspective. The sun would be at my neck, but it would be worth it. I went back to my car, gathered my supplies, and returned.
It was nice to have an umbrella again! I took time to sketch out the entire building on the tiny 5×5″ panel and then quickly blocked in the colors.
Above you can see how small the panel was on my easel.
When I’m painting, I often only use one brush at a time. It’s not the most effective method. Many painters keep a brush for each of the colors they’re working with. I gave that a go and dedicated specific green, blue, red, and yellow brushes. I feel that this simplified my process and kept the painting fairly unified.
I wrapped the painting up in about ninety minutes, spending the majority of the time working on color variety and value.
It’s not perfect, but it’s my favorite plein air painting in a while. I’m definitely going to do more in this size in the next week or so. They’re quick and allow me to concentrate my efforts on my weaknesses.
Before I left I snagged a photo of the water and islands that the mansion looks out over. Tomorrow I go on a Boston museum trip with my mother!