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The Muted Tones of Cupcakes

The cupcake in today’s painting lasted over a month in my still life set-up. Yeah, that’s a little gross to think about. But it was great for my art. I first painted it in gouache for Tilted Cupcake and noticed it was still holding up, so I put it together with a coffee mug. I wanted to focus on the purples and pinks while keeping everything fairly muted.

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I started with a blue-gray background and tried to keep the colors tonally similar to that starting gray. From there I was able to deviate into darks and lights.

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I spent a good amount of time rendering the cupcake and its frosting swirls. It became the basis for my lights. Nothing could be brighter than it.

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Muted Cupcake

8″ x 8″

With the cupcake started I could branch out tonally and with color. My goal was variety from that point on. I introduced complementary colors into the shadows. You’ll notice that the perspective is also from my other still-life set-ups and that was because this was my last one before I moved. I wanted to try something new before I had to put together a new studio space.

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Digitizing Presidents

The last couple of days I’ve been messing around in Photoshop and painting some presidents. I have quite a few oil paintings that I’ve completed and worked on since last I posted, but I’ve been moving and haven’t had the time or space to photograph them properly. They’ll be up as soon as possible.

Digital painting is not something I particularly excel at. Every time I give it a go I’m disappointed the work did not come out as well as my traditional pieces. However, I feel as though I’m getting better and learning the techniques that will help make my digital paintings look more like oil paintings.

If you’ve been following this blog you’ve noticed all the ink sketches I’ve done of presidents. I decided it would be nice to throw some color on them and eventually make a large poster of all the presidents. I started with George Washington (obviously) and tried to film my process as well. Unfortunately the program did not work as planned. I still got the painting done, but I had no video to demonstrate the process. Thankfully I was able to remedy that for John Adams. Not only did I make a narrated YouTube video of my painting, but I also streamed it live on Facebook as I worked. If you’re interested in watching me every time I stream, go ahead and follow my Facebook page. It’s also the best page to follow if you’re interested in progress shots, unfinished works, competition updates, and showings.

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George Washington Bust

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John Adams Bust

And if you’d like to watch the video of my painting, click below! I tried to narrate everything I was doing and explain the process.

 

Oh! Also, here are links to all my other social media sites:

Deviantart

Facebook

Tumblr

 

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The Energy in a Sugar Jar

Summer is here. It doesn’t feel real. A couple weeks ago I graduated with my M.Ed. and now my internship will be done in a week. It’s hard to believe I’ll be teaching in a few months and being paid to do it. Really the reason it feels weird is because I’ve been so busy with work. I was able to get a little reading done in my free time, but my art progress slowed. Occasionally I got to paint. And because I wasn’t able to devote large blocks of time to making art, it to took me several months to finish one painting.

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Sugar Jar

9″ x 12″

I started this painting right after I finished my Blue Winter Self-Portrait. I was inspired by the color variety I was able to explore in the shadows. Hopefully the pinecones are still readable as pinecones. Here are the progress photos:

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And the final photo once again:

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I’ve been finding and following a bunch of artists lately. Many of them have mentioned the difficulty of taking the energy present at the beginning of the painting and maintaining it until the end. I loved the looseness and playfulness of the self-portrait and wanted to replicate it. I did bring an energy into this still-life but I’m not sure I carried it through. I think I got caught up too much in the exactness of the sugar jar. Edges are my new focus. I have a feeling the movement and energy of a painting can die there.

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Week Old Cupcake

We had a friend over for food about a week ago and she left a cupcake for me, but I wound up not eating it. I forgot about it, honestly. Before bed that night I told myself to take it in the morning to work and then four days later I realized it was still on the counter and the icing was hard and the cake was starting to sag to one side. While I’d lost a chance to eat it, I’d gained an opportunity to paint.

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Tilted Cupcake, 8″ x 5,” Gouache

I started sketching the dessert at the kitchen table this morning. The sun eventually moved and I was forced out onto our porch to chase my light. I set up at an old painting table surrounded by freshly potted plants. Still the sun was moving fast and I had to constantly push the cupcake back into the moving light. After a couple hours I wound up with the above sketch.

I’ve been having trouble retaining the lights in my gouache paintings. With that in mind, I purposefully started working in the midtones and shadows without touching the lit side of the cupcake. I follow Benjamin Bjorklund on Facebook and he’s posted a lot of interesting watercolor paintings lately, so I tried to keep his technique in mind as I worked. Not to say I was as successful as him, but I turned out a pretty decent sketch I think. Still not entirely comfortable with gouache. Nothing seems to beat the opacity oils can give me in the lights. Which reminds me that I need to return to that oil painting I let sit a couple months ago…

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Tulips and Portrait

Last weekend I was transitioning from April vacation into the last work-heavy week of my internship. I needed a breather. An unbelievable amount of my free time had already been spent doing projects. Though I suppose since the work needed to be done, it really wasn’t my free time to begin with. Anyway, I took the weekend to do a little gouache painting.

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Self-Portrait in Gouache, 8″x 5,” Gouache

On the 30th we were waiting to go for some beer tastings and I decided to paint a self-portrait. The end result came out pretty decent. Even though gouache is opaque compared to regular watercolors, it still does not have the ability to reclaim lights and highlights as well as oils. Therefore, I always struggle going too dark too early. Here I used the white liberally to dig into the tan tones and pull out some light. Despite those struggles, I think the portrait came out well. The forehead needs to be a little warmer, but it was only a 90 minute sketch.

The next day we went to a tulip farm down in Rhode Island.

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Wicked Tulips, 8″x 5,” Gouache

It was beautiful but gray that day. I set up on the far end of the pick-your-own field and painted the farm buildings and the flowers together. I only had forty-five minutes or so to work and I’d love to go back and paint with oils for several hours on a sunny day. The sketch was fun though and I like the contrast between the bold, saturated colors in the foreground and the grays and browns of the background.

Got all my internship work finished, so I should be able to turn my attention back to art again! Just gotta apply for some jobs first!

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Beards, Mustaches, and Mr. Smooth-Face McKinley

I recently had a relaxing weekend at home and was able to get a good amount of work done. The final projects for my M. Ed. are due in a couple weeks, so I spent most of my time on those, but when I needed a break I did some reading and worked on my presidential sketches. I finally finished Harry Ammon’s James Monroe: The Quest for National Identity, after picking through it for two months. Perhaps it’s time to turn back to fiction for a little while. I think I’ll dive into Robert Louis Stevenson’s Treasure Island. Somehow I’ve never read that classic.

For my sketches, I worked my way from Chester A. Arthur to Theodore Roosevelt. Looks like our presidents used to sport some awesome facial hair. I had too much fun rendering President Arthur’s mutton chops.presidentialportraits - 9

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I included Grover Cleveland twice because he came before and after Benjamin Harrison, even though only the first portrait is official. But the second was painted by Anders Zorn and I couldn’t pass up an opportunity to study one of his paintings. My goal is to finish all the sketches and then paint over them in Photoshop. This’ll give me an opportunity to experiment with the digital medium, but also a chance to study the color and brush work of the original artists.

Perhaps when I’m done I’ll upload all the portraits in a single collage or poster.